I keep going back to a nagging thought, though, about the relationship that a play has with its audience. SC is a ridiculously conservative state. I've been here for a year and a half and still have a lot to learn about social protocol, but some topics--mostly in the sex, drugs, and rock & roll vein--are clearly only for the speakeasy. So, it was strange to be watching a play about sex, drugs, and rock & roll among people who were clearly a little squeamish about it. Maybe I was a little surprised that nobody fainted or started speaking in tongues.
It made me think of the time I groaned loudly during a play at an especially quiet part just after a really bad line delivery. (accidental) And that made me think of visiting an awesome gospel church in North Carolina. (Amen) And also when a friend was ejected from a theatre for holding his chest during a really bad show and yelling "hep me, hep me" a la Blazing Saddles. (totally on purpose) Really, shouldn't the audience be engaged with the cast and vice-versa? OK, maybe not so much, but a little?
It was good to see such a fun play. It might have been interesting if the Madness had really taken hold of the audience, though...
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